Narrative colorist specializing in independent film and period pieces. Known for naturalistic, textured grades that serve the story. My work leans toward a restrained palette rooted in photochemical processes - I believe color should feel like it belongs to the world of the film, not imposed on it. I've graded over 40 features and limited series across narrative, documentary, and branded content. I'm most at home in long-form storytelling where there's room to build a visual language across scenes and acts.
